Maasailand in general and the Transmara area beyond were a great source of new things for us in Kenya. Spotting red clad Maasai, carrying their traditional weapons, walking about everywhere took a while to get used to! In addition, there were plenty of wild animals to be seen not to mention the beautiful landscape that was all new to us at the time.
Intona Ranch was sited at the heart of the Transmara. The unfenced farm  of eight hundred hectares was -I believe- a gift of the Maasai to Joe Murumbi (see Joe Zazarte Murumbi in References) as a recognition for his service to Kenya (he was the son of a Maasai mother). The farm was a green park by the Migori River where riverine forest was present and where we used to go in the evenings to watch the flocks of Silvery-cheeked hornbills (Bycanistes brevis) returning to their favourite roosting perches.
Scattered clumps of forest, many associated with very large termite mounds, with plenty of rare orchids speckled the landscape. This green oasis was maintained by rains that fell most afternoons due to the proximity of Lake Victoria. Apart from keeping the vegetation going, the evening storms produced the most striking sunsets that would turn red when the grass fires were raging around.
The Transmara could be seen as an extension at a slightly higher altitude of the famous Maasai Mara Game Reserve and therefore the farm was inhabited by all species present in the reserve. There were also some “specials” like the Giant Forest Hogs (Hylochoerus meinertzhageni) that also inhabited the Migori River area and the African Blue flycatcher (Elminia longicauda) that was found throughout the area to name just two. At the farm there were a family of resident cheetah that we often saw as well as lion and leopard that we sometimes heard.
In the Transmara, the Maasai coexisted with the wild animals, not only by herds of harmless antelope and zebra but also migrating elephants and buffalo, in addition to the large predators, including numerous hyena that were seen and heard every night.
In sum, the ranch was like a dream come true for nature lovers as it was really a game park where Joe bred a few heads of cattle. I was truly lucky to work there and enjoy his hospitality for several years!
If the above was not sufficiently stunning, the house that Joe and Sheila had built there was, to put it mildly, unexpected and it took a while to get used to its presence once you had spotted it! We were used to people building amazing houses in Kenya such as the Djinn Palace  in the shores of Lake Naivasha (now a hotel) or the uninhabited Italian Villa  neat Thika that our friend Paul discovered and we explored.
One can only imagine the work involved in building such a large place in a remote location following the very high standards that Joe and Sheila must have placed for the architects to follow. Although I came to know the house well, I never counted the number of rooms it had but thirty-five rooms are mentioned by the press .
There was even a small chapel and it was only recently that, through his close friend Alan Donovan, I learnt of its origin. He wrote: “Joe and Sheila loved their dogs (I can confirm that, Ed.). One of the dogs had nearly died and Joe had vowed to build a chapel if he survived. When the dog was retrieved from death’s jaw, the chapel was duly built for the staff at the ranch. The priest was called to bless the new chapel” 
What I can say is that the very large and white house was built following the style found at the coast of the Indian Ocean and its outside doors had probably come from Lamu. It had all necessary items to enjoy life such as a large swimming pool, a couple of patios of different styles and verandahs strategically sited to catch the sun or shade at different times of the day. The roof was high and the rooms were very large, much more than I had seen until then!
In the seventies, Joe and Alan Donovan created African Heritage, a fine antique collecting entreprise that yielded some unique artifacts and became Africa’s first art gallery in Nairobi and pioneered the retail of art and craft . Joe and Sheila had their main house in Muthaiga, an exclusive neighbourhood in Nairobi where they kept most of their art but a lot of these spilled over to the Transmara.
At the Intona house there were several works of art both, African and European. Among the latter there were several large oil paintings by some of the Dutch Masters (I was told). African art was all over, and this included Lamu chairs, different masks and an old trunk with an amazing lock. One of my favourites was what a called a Juju man . This fierce-looking carving was parked in the hall until one day it disappeared. Later I learnt that my friend Alan had helped Joe to carry it to the UK where it was sold.
With so much art around, the house resembled a true museum but my interest was mainly in the library composed of two adjoining rooms with roof to floor and wall to wall bookshelves that held a treasure in books I had not seen before. It was rummaging through this true treasure that I spent most of the free time I had, mainly after sunset.
The library had windows to the front of the house where a large telescope pointed to the clear night skies of the Transmara. At first glance it revealed memorabilia of Joe’s political life, including various decorations and many pictures of Joe with other political players of the time. I remember pictures of him with Jomo Kenyatta, Haile Selassie and Julius Nyerere to mention those I can still “see” today.
Once I assimilated the memorabilia I focused on the books. These were mainly dealing with Africana, and they included most first editions of all major books published on Africa and, particularly, on Kenya, a list too long to be mentioned here and one that I now do not recall that well but many were antiques. However, having spent many hours delving through books with and without Joe, I still remember author proofs that had been sent to him for comments prior to their publication by various famous authors.
I vividly remember the evening that, despite his mobility problems , Joe invited me to the library “I wish to show you some special things” he said as I followed him to the library. He headed straight to one of the bookshelves located on the left wall and pulled out a large shallow drawer. It contained postal stamps! Joe became very enthusiastic and started to show me his collection.
He showed me the first stamp produced by Kenya Uganda and Tanzania in 1935 during the times of King George V. He had the complete set of Kenya stamps that included all first day issues as well as loose stamps. He then opened another drawer where he removed several Penny Black specimens, the first stamp issued in the UK in 1840 and all the ones that followed it up to the present date. He was extremely pleased with his collections!
Joe donated all his books and documents, numbering several thousands, to the Kenya nation. Among these are more than six thousand books published before the 1900s, and a rare original manuscript from David Livingstone. His books occupy the Joe Murumbi Gallery, a large area in the ground floor of the Kenya National Archives library. He also donated his African stamp collections, believed to be the most important in the world, after the Queen of England’s collection!
Sadly, Joe died in 1990 and Sheila in 2000. A Memorial Garden at the Nairobi City Park was established by the Murumbi Trust where, fortunately, they are both kept to be remembered as they deserve.
As for the magnificent house, before departing from Kenya I failed to convince the Director of the International Centre of Insect Physiology and Ecology to negotiate for it to become a training centre. Regretfully, the house started to deteriorate after Joe’s death and it is now, I believe, a subject of a legal wrangling. After severl years of neglect the house is now almost a ruin from which all movable fittings have been taken and most of it is overgrown by vegetation. A sad end to a beautiful place that I first “spotted” in 1981.
Credit of the three photos above: https://www.kenyans.co.ke/news/40142-former-vps-2000-acre-luxury-home-sorry-state-photos
 An old plow track was all that demarcated the ranch.
 “During the colonial era, “The Djinn Palace” was “where things usually were very lively” for the Happy Valley set, according to Ulf Aschan. It was built for Ramsay-Hill’s wife, Molly (née Edith Mildred Maude; 1893–1939), who had an affair with and later married Josslyn Hay, 22nd Earl of Erroll“. From https://en.wikipedia.org/wiki/Oserian (Seen on 4 July 2021).
 What we called the “Italian Villa” was abandoned, complete with underwater illuminated pool, bath on the top of the roof from where the view of the Yatta plateau was amazing and its own cells where we were told by the caretaker that employees were locked as punishment. I read somewhere that its rich owner tried to surprise his fiancée that was driving a convertible along the Mombasa Road with a low flight past and killed her by accident. I have been searching for info on this villa and its history but, so far, fruitlessly.
,  and  See: https://www.standardmedia.co.ke/entertainment/lifestyle/2001259735/vice-presidents-mansion-now-home-to-wild-animals and https://www.kenyans.co.ke/news/40142-former-vps-2000-acre-luxury-home-sorry-state-photos Consulted on 28 June 2021.
 See: https://africanheritagehouse.info/portfolio-item/murumbi-legacy/ and https://artsandculture.google.com/exhibit/alan-donovan-my-journey-through-african-art-and-culture-african-heritage-house/jwLyrn0e9lfwJg?hl=en – Both consulted on 28 June 2021 for more information.
 We used this name meaning “magic man” as we thought it had some supernatural power. I googled and learnt that it was Nkondi, one of the mystical statuettes made by the Kongo people of the Congo region and considered aggressive. The name means hunter and they are believed to hunt down and attack wrong-doers, witches, or enemies.
 Joe was recovering from a stroke that he had suffered sometime before I met him.